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      <image:caption>Installation view of Robert Rauschenberg’s Automobile Tire Print (1953) in Points of Departure II: Connecting with Contemporary Art, SFMOMA, November 17, 2001–June 9, 2002. Source</image:caption>
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      <image:caption>Robert Rauschenberg, Automobile Tire Print, 1953; paint on 20 sheets of paper mounted on fabric, 16 1/2 in. x 264 1/2 in. (41.91 cm x 671.83 cm); Collection SFMOMA, Purchase through a gift of Phyllis Wattis; © Robert Rauschenberg Foundation / Licensed by VAGA, New York, NY. Source</image:caption>
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      <image:caption>PRINT TEST - WHITE - BACK</image:caption>
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      <image:caption>CARJACKED - ARROW TIRE PRINT - FRONT</image:caption>
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      <image:caption>WMD ROUNDEL - FRONT</image:caption>
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      <image:caption>2013 Design Impulse Ad Campaign, ServicPlan, Hamburg for BMW</image:caption>
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      <image:caption>BMW Ad Capaign 2013 - published in Frieze magazine, October 2013</image:caption>
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      <image:caption>2013 Design Impulse Ad Campaign, ServicPlan, Hamburg for BMW</image:caption>
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      <image:title>NEWS - CARJACKED: AN EXCERPT</image:title>
      <image:caption>BMW "introduced" the new 2014 M4 Coupé in Sony's Gran Turismo 6 (2013). This is not mere product placement as racing games are more than glorified, interactive advertisements: they represent the only reward for the New Poor. As car ownership is an increasingly unrealistic possibility for the masses, driving becomes virtual reality.</image:caption>
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      <image:title>NEWS - COLL.EO MAGAZINE VOL.1 AND 2 NOW AVAILABLE</image:title>
      <image:caption>COLL.EO magazine, vol. I, 2012</image:caption>
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      <image:title>NEWS - NOW AVAILABLE: TRAVELOGUE</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>VRAL SEASON ONE</image:title>
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      <image:title>VRAL SEASON ONE</image:title>
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  <url>
    <loc>https://concrete-press.com/game-videoart-studies</loc>
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    <lastmod>2024-01-22</lastmod>
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      <image:title>GAME VIDEO/ART STUDIES - Bittanti, Fantacci, Miranda, Retez, 2022 [AVAILABLE] (Copy)</image:title>
      <image:caption>Bittanti, Fantacci, Miranda, Retez, 2022 [AVAILABLE] Bittanti, Fantacci, Miranda, Retez (AVAILABLE)</image:caption>
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      <image:title>GAME VIDEO/ART STUDIES - Luca Miranda, 2021  [AVAILABLE] (Copy)</image:title>
      <image:caption>Luca Miranda, 2021 [AVAILABLE]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1626610649247-5990NGGU2Z5KUT35YF61/vral+s01.jpg</image:loc>
      <image:title>GAME VIDEO/ART STUDIES - Matteo Bittanti and Gemma Fantacci (Eds.) 2021 [AVAILABLE] (Copy)</image:title>
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      <image:title>GAME VIDEO/ART STUDIES - Riccardo Retez, 2020 [AVAILABLE] (Copy)</image:title>
      <image:caption>Riccardo Retez, 2020 [AVAILABLE]</image:caption>
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  <url>
    <loc>https://concrete-press.com/giocare-a-camminare</loc>
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    <lastmod>2024-02-04</lastmod>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081605517-TFBBS2PCZ5LQ2H1NKB1D/Gustave+Courbet.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 1. Gustave Courbet, L’incontro, 1854. Musée Fabre, Montpellier. Archivio di Web Gallery of Art</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081630904-F68PG2E3CDOYXAOQYIK3/Figura+2.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 2. Shenmue (1999). Screenshot. Il protagonista ferma due Png per strada e avvia una conversazione. Fonte: Luca Miranda</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081630420-O2RJNT90M8P44818CL44/Figura+3.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 3. The Graveyard (2008). Screenshot. Nell’immagine il punto di partenza all’avvio del titolo.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081637191-ZOFYBRWQ2R3PYZL47FDJ/Figura+4.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 4. Velvet-Strike (2002). L’uso di un adesivo tramite mediante la modifica Velvet-Strike in Counter-Strike. Immagine dal sito Net Art Anthology, Rhizome</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081638930-IXQUU15ZBNONBY8TAJ7A/Figura+5.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 5. The Witness (2016). Un tipico terminale presente nel gioco per la risoluzione dei puzzle. Immagine dal sito IGN.com</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081647124-25G3U1VKDUIGQ2C5CLAS/Figura+6.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 6. The Witness (2016). L’immagine mostra l’interno della sala teatrale, con la sequenza finale di Nostalghia in svolgimento. Screenshot da video (YouTube)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081641366-HTOU8C45TV2VYCSDU0SJ/Figura+7.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 7. The Night Journey (2007). Il modello 3D di una roulotte, posizionato su di una pozza d’acqua in un territorio desertificato del gioco. Immagine dalla pagina itch.io di GameInnovationLab.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082004740-R2NZUBQQ3NYE18E79R6M/the+night+journay.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 8. The Night Journey (2008). La figura di un uomo sdraiato nell’acqua. Immagine dalla pagina itch.io di GameInnovationLab.</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081658198-F0RCMDKM3BNKFNR6ZMBN/Figura+9.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 9. Kona (2016). La sezione di gioco iniziale, in cui è richiesto di raggiungere colui che ha ingaggiato il detective. Screenshot. Fonte: Luca Miranda.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081664259-R377UALBR1Z0AASFGR0P/Figura+10.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 10. Kona (2016). Abbassando la visuale è possibile vedere il corpo di Carl. Screenshot. Fonte: Luca Miranda.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082102319-KT3DQYAMT64MG5F7LBQ0/Mathew+Zefeldt.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 11. Mathew Zefeldt, Customizable Realities, 2019, The Hole Gallery. Vista dello spazio installativo. Immagine dal sito Hypebeast. Copyright © 2019, Mathew Zefeldt.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082174134-FNY93NMPC2DT74QXXXLY/Mathew+Zefeldt+2.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 12. Mathew Zefeldt, Desktop, 2016, Soap Factory. Al centro, l’installazione Barrel. Immagine dal sito dell’autore. Copyright © 2019, Mathew Zefeldt.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081663812-KBTFMT7CWUUIIG438AON/Figura+13.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 13. Wolfenstein 3D (1992). Immagine dal sito dell’Encyclopedia Britannica.</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081668422-8V18R7GGQH34SGNJCX9H/Figura+14.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 14. Doom (1993). Immagine dal sito dell’Encyclopedia Britannica.</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082324752-KUH0AYL753IUCGK3U650/Aram+Bartholl.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 15. Aram Bartholl, First Person Shooter, 2006. Una copia degli occhiali ritagliati, incollati e indossati. Immagine dal sito dell’autore. Copyright © 2020, Aram Bartholl.</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082291214-MN6I7WGV09302PYMK0DE/Figura12.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 16. Ambrogio Lorenzetti, Annunciazione, 1301-1308. Conservato nella Pinacoteca Nazionale di Siena. Fonte fotografica: http://www.aiwaz.net/gallery/lorenzetti-ambrogio/gc57</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081670487-G66LYRFIAEY5QPLXRU59/Figura+17.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 17. Fragments of Him (2017). Screenshot. La voce narrante commenta elementi significanti nell’abitazione di Will e del suo compagno. Fonte: Luca Miranda.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082538973-PAKA58ANIMKMQS6ROOA6/Eduard+Manet.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 18. Edouard Manet, Il balcone, 1868. Musée d’Orsay, archivio web. Copyright © 2019, RMN (Musée d’Orsay) / Hervé Lewandowki.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082609841-B3QP257STQQDJ3UNBUGL/panopticon.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 19. Adam Simpson, The Panopticon, 2013. Illustrazione che mostra l’architettura del Panopticon. Fonte: The New York Times. Copyright © 2020, Adam Simpson.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082717319-2ZOVK611USMHGAJBDYKO/Stanley+Parable.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 20. The Stanley Parable (2013). Screenshot. Fonte: Luca Miranda.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081679232-SO5FIUAVO8EZ862M596Z/Figura+21.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 21. Silent Hill 4: The Room (2004). Il salotto dell’appartamento di Henry. Immagine dal sito Moby Games.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081687532-Y8FCIAZO2MCU8TL3UYJK/Figura+22.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 22. Gone Home (2013). Screenshot. Il salotto della tenuta Greenbriar. Fonte: Luca Miranda.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635081685352-JX0NRG61LATMX3D62TI5/Figura+23.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 23. Silent Hill 4: The Room (2004). Eileen, l’inquilina dell’appartamento a fianco, vista attraverso un foro nella parete. Immagine dal sito old-games.com.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082840597-LV63F19XHIKDTZDRU5Q4/Bernband.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 24. Bernband (2014). Screenshot. Si vedono le braccia antropomorfe dell’avatar e l’aspetto alieno degli altri abitanti. Fonte: Luca Miranda.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082938987-79WZ08GKFCOMZJZHVFHU/Michael+Heizer.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 25. Michael Heizer, Double Negative, 1969. Deserto del Mohave, Nevada. Fonte: The Center for Land Use Interpretation.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635083006220-4PP91ZJ9MBJXVQVVI18O/passage.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 26. Passage (2007). Screenshot. Le figure maschile e femminile all’interno del corridoio. Fonte: Luca Miranda.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082643469-7LDMG9Z1YW2K9SN711FL/Figura20.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 27. Half-Life (1998). Screenshot. La visuale in prospettiva del protagonista all’interno della funicolare. Fonte: Luca Miranda.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635083068272-GR6PB6Y6MEVA3AFWI0ZJ/Dream+Emulator.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 28. LSD: Dream Emulator (1998). L’esplorazione di una sezione onirica. Screenshot dal video (YouTube) “LSD (Dream Emulator) 4K60FPS (JP)” di Zel’s 4K Emulators and Archive.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635083145354-KE1EF8IDV2VS4OE4OGPI/Dream+Emulator+2.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 29. LSD: Dream Emulator (1998). Componenti interne di un macchinario. Screenshot dal video (YouTube) “LSD (Dream Emulator) 4K60FPS (JP)” di Zel’s 4K Emulators and Archive.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635083145384-AWFCD8JZ996SEE0R85JC/Persona.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 30. Ingmar Bergman, Persona, 1966. Frame che mostra il funzionamento in dettaglio di strumenti cinematografici. Screenshot dal DVD Persona, BiM Produzioni.</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635083394839-NMYFC1YH7LYDDEUQM5QV/Dear+Easther.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 31. Dear Esther (2008). La prima versione del gioco. Immagine dall’archivio del sito Mod DB.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082661318-MN5LNHRC4ELIYNNMMGAH/Figura21.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 32. Dear Esther: Landmark Edition (2017). Screenshot. L’isola delle Ebridi e il punto di partenza del gioco. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635083496913-Q3P78HI8JXG77KM71ZCS/Dear+Esther+2.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 33. Dear Esther: Landmark Edition (2017). Screenshot. Resti di componenti di una vettura. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635083547820-IC0TN6A134N4B2B3C49F/Jodi.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 34. JODI, Ctrl-Space, Untitled Game, 1996-2001.</image:title>
      <image:caption>La schermata alla morte del giocatore con le statistiche di gioco mostrate nella parte bassa dello schermo. Screenshot dal video (Vimeo) “untitled-game Ctrl-Space” di JODI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082655254-4YA89LOH6PC4AJ8JIKDL/Figura25.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 35. The Stanley Parable (2013). Screenshot. La linea dell’avventura del Narratore. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082654523-DQUFWE4Z6M2HQSK8YN84/Figura26.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 36. The Stanley Parable (2013). Screenshot. Lo schermo con i risultati dei giocatori. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082651706-1WVCK70MUBDROCY765BY/Figura27.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 37. The Stanley Parable (2013). Screenshot. Il minigioco del bambino. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635084072361-ZI857MPJ3DU8L50DC6IT/Figura+38.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 38. The Stanley Parable (2013). Screenshot. L’ala espositiva che parla del finale originario. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635083774985-TJ3Q2XS81RRUGE154TSM/museum+meltdown.png</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 39. Palle Torsson e Tobias Bernstrup, Museum Meltdown, 1996.</image:title>
      <image:caption>La rappresentazione della sala espositiva dell’Arken Museum of Modern Art in Copenhagen fatta con Duke Nukem 3D. Immagine dal sito di Tobias Bernstrup. Copyright © 2020, Palle Torsson, Tobias Bernstrup.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082646963-NQ4JC12GHQVHP77EDMSY/Figura30.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 40. The Beginner’s Guide (2015). Screenshot. La prima schermata con l’indicazione dei comandi. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082646278-IBFK6QYZ4EIC2S28KHL0/Figura31.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 41. The Beginner’s Guide (2015). Screenshot. Gli spari del giocatore causano la distruzione del teatro. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082646859-SISPLSCTY9RH4Z42Z0CL/Figura32.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 42. The Beginner’s Guide (2015). Screenshot. La sequenza finale del gioco. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/51dcfaf5e4b0b11e26da523d/1635082643640-IZYIH7ALY9U80U06NKP9/Figura33.jpg</image:loc>
      <image:title>GIOCARE A CAMMINARE - Figura 43. Gone Home (2013). Screenshot. Il salone d’ingresso della tenuta Greenbriar. Nell’immagine le luci sono già state accese. Fonte: Luca Miranda.</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>GIOCARE A CAMMINARE - Figura 44. Ilya Kabakov, Labyrinth (My Mother’s Album), 1990-94. Disegno dell’opera del 1990. Immagine dal sito della Tate Modern. Copyright © 2020, Ilya &amp;amp; Emilia Kabakov.</image:title>
      <image:caption />
    </image:image>
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